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Jacques Khalip writes on and teaches British romanticism, 19th- and 20th-century poetry, queer theory, and critical theory. His current research and teaching addresses two areas of thought: the anxious rhetoric and ethics of interiority in romantic literature and culture; and the relation of queer theory to aesthetic and ethical reflection.
Overview | Research | Grants/Awards | Teaching | Publications
Jacques Khalip is the author of Anonymous Life: Romanticism and Dispossession (Stanford University Press, 2009), which examines the concept of Romantic anonymity as a way of being-in-the-world that resists the Enlightenment emphasis on transparency, self-disclosure, and emotional autonomy. He has published essays in Arizona Quarterly, Criticism, ELH, Raritan, and Forum Italicum, and has also published numerous poetry reviews in Antipodes, The Boston Review, Jacket, and Verse. He is currently at work on three projects: a co-edited collection (with Robert Mitchell) entitled Philosophy of the Image: Presence, Absence, and Media (under contract at Stanford University Press); a study on Romantic aesthetics and materiality; and a monograph on queer passivity.
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 JACQUES KHALIP, Ph.D. Duke University, 2004; M.A. McGill University, 1998; B.A. (First-Class Honors) McGill University, 1997. http://research.brown.edu/myresearch/Jacques_Khalip Are you Jacques Khalip? Click here to edit your research profile. |
